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"Well, just after luncheon Letitia, your maid, brought me a note. I opened it. It was from Paul Rodney, asking me to meet him at three o'clock, as he had something of importance to say that concerned not me but those I loved. When he said that," says Mona, looking round upon them all with a large, soft, comprehensive glance, and a sweet smile, "I knew he meant you. So I went. I got into my coat and hat, and ran all the way to the spot he had appointed,—the big chestnut-tree near the millstream: you know it, Geoff, don't you?","By and you will think differently," says Mona, believing he alludes to his surrender of the Rodney property "You will get over this disappointment.","Yes, we have indeed," says the same sweet voice again, which is the merriest and softest voice imaginable, "and in very good time too, as it seems. Nolly and I have been here for fully five minutes, and have been so delighted with what we have seen that we positively could not stir. Dear Lady Rodney, how d'ye do?","You told the duke who you were?" breaks in Lady Rodney at this moment, who is in one of her worst moods.,Again he went into the lodge, and when the man-eater saw him he cried out, "How, how, how! the fat young man has survived!" and he seemed surprised. Again he took his knife and cut the throat of Kŭt-o-yĭs´ and threw him into the kettle. Again when the meat was cooked he ate it, and when the little girl asked for the bones again he gave them to her. She took them out and threw them to the dogs, crying, "Kŭt-o-yĭs´, the dogs are eating you," and again Kŭt-o-yĭs´ arose from the bones.,Kŭt-o-yĭs´ spoke to one of the people who was alive and asked, "What is that hanging down above us?",The whole scene is at an end. A life has been saved. And they two, Mona and Geoffrey, are once more alone beneath the "earnest stars.","How I wish it didn't!" says Mona, with a sigh.,As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,No one is listening, fortunately, to this gratuitous correction, or hot words might have been the result. Sir Nicholas and Geoffrey are laughing over some old story that has been brought to their recollection by this idle chattering about the Chetwoodes' ball; Jack and Violet are deep in some topic of their own.,"Ah! here she is," says the duchess, looking at the girl's bright face with much interest, and turning graciously towards Mona. And then nothing remains but for Lady Rodney to get through the introduction as calmly as she can, though it is sorely against her will, and the duchess, taking her hand, says something very pretty to her, while the duke looks on with ill-disguised admiration in his face.,She herself destroys it presently..